Open Enrollment · Spring 2026

The school where
making is the
curriculum.

A converted warehouse where hands sink into wet clay at 7 AM and bronze pours at midnight. No prerequisites. No portfolio required. Just show up willing to fail.

Hands shaping clay on a pottery wheel
0

students enrolled last year

across ceramics, sculpture & casting

A raku kiln glowing orange at night
0%

arrived with zero prior experience

desk jobs, boardrooms, spare bedrooms

A finished ceramic sculpture on a gallery pedestal
0+

gallery exhibitions from alumni work

in the past three years alone

Artist working with bronze casting tools
0 mo

median career-change timeline

from first class to studio practice

Scroll to begin your journey

Stage I

The Call —
the moment before everything changed.

Every student remembers the exact instant they decided to stop sketching in meeting margins and start making something real.

Marguerite Holloway, smiling woman in her 40s with short hair

"I'd been drawing spirals for forty minutes straight."

Marguerite Holloway

Former financial analyst

Ceramics2 years ago
tap to read →

"I was sitting in a quarterly review when I realized I'd been drawing spirals on my notepad for forty minutes straight. That was the moment. I enrolled in Kiln's evening ceramics class three weeks later and never looked back."

Marguerite Holloway

Former financial analyst

Portland, OR · Ceramics

David Osei-Mensah, older man with warm smile and grey beard

"The school teaches you to be curious, not careful."

David Osei-Mensah

Retired civil engineer

Sculpture3 years ago
tap to read →

"Sixty-three years old and I'd never once touched clay. My daughter signed me up as a birthday gift. Within six months I had a solo show at a gallery downtown. The school doesn't teach you to be careful — it teaches you to be curious."

David Osei-Mensah

Retired civil engineer

Atlanta, GA · Sculpture

Priya Chandrasekaran, young woman with dark hair looking at camera

"Working with metal reset everything I knew about making."

Priya Chandrasekaran

Graphic designer expanding her practice

Bronze Casting1 year ago
tap to read →

"I came to Kiln to learn bronze casting for a commission I'd already accepted. I stayed for two years. There's something about working with metal that reset everything I thought I knew about making things."

Priya Chandrasekaran

Graphic designer expanding her practice

Chicago, IL · Bronze Casting

Tap any card to read the full story

Stage II

The Threshold —
choose your material, begin.

Every course is a door. Behind each one is a different relationship with matter, time, and your own hands.

Hands coiling clay into a vessel shape on a wooden table
🏺
Beginner
Clay8 weeks · 16 sessions

Hand-Building Foundations

Pinch, coil, and slab construction. No wheel, no rush — just your hands and a block of earthenware.

  • Understand clay bodies & firing
  • Build 6 finished pieces
  • Glaze and kiln fire independently
Reserve Your Seat
Hands centered on a spinning pottery wheel pulling up clay walls
⚙️
Beginner
Clay10 weeks · 20 sessions

Wheel Throwing I

Learn to center, open, and pull walls. Expect lopsided bowls. Expect to love them anyway.

  • Center consistently
  • Throw cylinders & bowls
  • Trim and foot work
Reserve Your Seat
White plaster mold halves separated showing clay positive inside
🧱
Intermediate
Plaster6 weeks · 12 sessions

Plaster Mold Making

The invisible craft behind production ceramics. Learn one-piece and two-piece molds for slip casting.

  • Design for moldability
  • Pour and demold cleanly
  • Produce multiples
Reserve Your Seat
Artist carving wax model with fine tools under warm studio light
🕯️
Intermediate
Wax8 weeks · 16 sessions

Wax Modeling for Lost Wax

Carve and model wax originals that will become bronze. Where sculpture begins before it begins.

  • Model in hard & soft wax
  • Sprue and gate systems
  • Investment casting prep
Reserve Your Seat
Molten bronze being poured from a crucible in a dark foundry
🔥
Advanced
Bronze12 weeks · 24 sessions

Bronze Casting Intensive

The midnight course. Molten bronze at 1,850°F poured under your direct supervision. Not for the timid.

  • Operate the foundry safely
  • Full lost-wax cast
  • Chasing and patination
Reserve Your Seat
Glowing orange raku pot being lifted from kiln with metal tongs at night
💨
Intermediate
Clay4 weeks · 8 sessions

Raku & Alternative Firing

Pull white-hot pots from the kiln with tongs and watch the smoke decide the surface. Surrender is the technique.

  • Raku glaze chemistry
  • Reduction & post-firing
  • Pit and saggar firing
Reserve Your Seat
Cracked and broken ceramic sculpture on a studio floor, scattered fragments
Month 3

The crack.

Finished ceramic sculpture on a gallery pedestal under warm exhibition lighting
Month 7

The rebuild.

Stage III · The Ordeal
"I spent three months on a piece that cracked in the bisque fire. I sat on the studio floor and cried. Then I swept it up, studied every fracture line, and built the next version from what I'd learned. That crack became the reason my second piece sold."
Marguerite Holloway, ceramics student

Marguerite Holloway

Ceramics · Year 1 → Gallery show, Year 2

Stage IV

The Return —
what they made of it.

340 gallery exhibitions. Residencies, commissions, studio practices. These are the people who were sitting at desks three years ago.

Bronze figure sculpture under gallery lighting
Sculpture
David Osei-Mensah, sculptor with grey beard in studio

David Osei-Mensah

Class of 2023

Solo exhibition at Flux Gallery

Twelve bronze figures exploring memory and migration. Sold out on opening night.

📍Flux Gallery, Atlanta
Large bronze tree sculpture in outdoor urban setting
Bronze Casting
Priya Chandrasekaran with dark hair in foundry

Priya Chandrasekaran

Class of 2024

Commissioned public installation

A 14-foot bronze tree for the Chicago Riverwalk. Unveiled March 2025.

📍Chicago Riverwalk
Row of handmade ceramic bowls drying on studio shelves
Ceramics
Tobias Wrenfield, man with beard at pottery wheel

Tobias Wrenfield

Class of 2022

Studio practice + wholesale

Left accounting in 2021. Now runs a 2,000 sq ft studio producing functional ware for 40+ restaurants.

📍Studio Wrenfield, Portland
Ceramic vessels with intricate surface textures on display
Plaster & Clay
Amara Diallo, woman with natural hair smiling in studio

Amara Diallo

Class of 2023

Residency at Haystack

Selected for a six-week residency at Haystack Mountain School. Currently teaching ceramics to incarcerated youth.

📍Haystack Mountain, ME
David Osei-Mensah · SculpturePriya Chandrasekaran · Bronze CastingTobias Wrenfield · CeramicsAmara Diallo · Plaster & ClayDavid Osei-Mensah · SculpturePriya Chandrasekaran · Bronze CastingTobias Wrenfield · CeramicsAmara Diallo · Plaster & Clay
Begin

Reserve your seat.
The studio is waiting.

Open studio days, weekend tasters, and semester enrollment — pick the date that fits your life.

March 2026

Open Studio
Taster Workshop
Enrollment Deadline
M
T
W
T
F
S
S

Reserve Your Seat

Three fields. That's all we need. You can ask every question in person.

Click any highlighted date in the calendar

Free Download

Download the Course Map

A PDF that sequences every class from beginner hand-building to advanced bronze casting — so you can see exactly how the journey unfolds before committing to a seat.

No spam. Unsubscribe any time.